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All Lucas Cranach Oil Paintings
 
 
Lucas Cranach Adam and Eve oil painting reproduction


Adam and Eve
1531 Staatliche Museen, Berlin
Lucas Cranach2.jpgPainting ID::  640
 

 
 
   
      

All Jan Van Eyck Oil Paintings
 
 
Jan Van Eyck Adam and Eve oil painting reproduction


Adam and Eve
1432Oil on wood St. Bavon, Ghent, Belgium.
Jan Van Eyck14.jpgPainting ID::  10074
 

 
 
   
      

All Hans Thoma Oil Paintings
 
 
Hans Thoma Adam and Eve oil painting reproduction


Adam and Eve
mk65 1897 Oil on canvas 43x31"
new3/Hans Thoma-622332.jpgPainting ID::  29100
 

 
 
   
      

All Frans Floris de Vriendt Oil Paintings

c.1517-70, Flemish painter
 
 
Frans Floris de Vriendt Adam and Eve oil painting reproduction


Adam and Eve
mk67 Oil on panel 69 5/16x59 1/16in Pitti,Palatine Gallery
new3/Frans Floris de Vriendt-454756.jpgPainting ID::  29937
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
mk156 1507 Oil on panel
new12/Albrecht Durer-732859.jpgPainting ID::  40299
 

 
 
   
      

All Suzanne Valadon Oil Paintings
 
 
Suzanne Valadon Adam and Eve oil painting reproduction


Adam and Eve
mk156 1909 Oil on canvas 162x131cm
new16/Suzanne Valadon-238523.jpgPainting ID::  40874
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
mk168 252x195mm
new16/Albrecht Durer-333646.jpgPainting ID::  42333
 

 
 
   
      

All Peter Paul Rubens Oil Paintings
 
 
Peter Paul Rubens Adam and Eve oil painting reproduction


Adam and Eve
mki186 1598 Antwerp, Rubenshuis
new17/Peter Paul Rubens-592359.jpgPainting ID::  45410
 

 
 
   
      

All Gustav Klimt Oil Paintings
 
 
Gustav Klimt adam and eve oil painting reproduction


adam and eve
mk247 1917 to 18,oil on canvas,17.5x23.625 in,173x60 cm,osterreichische galerie belvedere,vienna,austria
new20/Gustav Klimt-294333.jpgPainting ID::  56507
 

 
 
   
      

All Tintoretto Oil Paintings
 
 
Tintoretto adam and eve oil painting reproduction


adam and eve
mk247 c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly
new20/Tintoretto-293643.jpgPainting ID::  56692
 

 
 
   
      

All CRANACH, Lucas the Elder Oil Paintings
 
 
CRANACH, Lucas the Elder adam and eve oil painting reproduction


adam and eve
mk247 c.1530,oil on wood,private collection
new20/CRANACH, Lucas the Elder-898926.jpgPainting ID::  56697
 

 
 
   
      

All Hans Holbein Oil Paintings
 
 
Hans Holbein Adam and Eve oil painting reproduction


Adam and Eve
mk252 paper board painting 30 x 35 cm in 1517
new20/Hans Holbein-289272.jpgPainting ID::  57108
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
Adam and Eve, by Albrecht D??rer (1507).
new20/Albrecht Durer-294649.jpgPainting ID::  58705
 

 
 
   
      

All GIUSTO de Menabuoi Oil Paintings
 
 
GIUSTO de Menabuoi Adam and Eve oil painting reproduction


Adam and Eve
1376-78 Fresco Baptistry, Cathedral, Padua Author: GIUSTO de' Menabuoi Title: Adam and Eve (detail) , 1351-1400 , Italian Form: painting , religious
new21/GIUSTO de Menabuoi-259644.jpgPainting ID::  62378
 

 
 
   
      

All GOSSAERT, Jan (Mabuse) Oil Paintings

Flemish Northern Renaissance Painter, ca.1478-1532
 
 
GOSSAERT, Jan (Mabuse) Adam and Eve oil painting reproduction


Adam and Eve
1520 Oil on panel, 168,9 x 111,4 cm Royal Collection, Windsor This theme occurs at least nine times in Mabuse's painted and graphic oeuvre, but none of these renderings is dated. On grounds of style, however, the present painting would seem to have been undertaken after the Neptune and Amphitrite of 1516 (Berlin, Staatliche Museen) or the Hercules and Deinara of 1517 (Birmingham, Barber Institute of Fine Arts), and to have preceded the Adam and Eve dating from around 1525 (Berlin, Staatliche Museen). In general terms, as his career developed, Mabuse evolved compositions of greater complexity characterised by a repertoire of contorted poses with exaggerated anatomy and a vivid treatment of chiaroscuro. At the same time his technique became altogether freer. The Adam and Eve in the Royal Collection may date from around 1520. Mabuse refers to a number of prints for the poses of Adam and Eve: D?rer's Adam and Eve of 1504, Jacopo de' Barbari's Mars and Venus and Marcantonio Raimondi's Adam and Eve after Raphael. The pose of Eve is perhaps more specifically related to D?rer's engraving known as The Dream of the Doctor, particularly the upper part of the body. Mabuse had visited Italy in 1508-9 and became a prime exponent of Northern Mannerism, a style that evolved principally from the cross-fertilisation of German and Italian art. Quite apart from the large scale of the painting, the prominence of the foreground figures is still further enhanced by the sudden drop down to the middle-ground, dominated by a fountain set in the Garden of Eden. Fanciful architecture of this kind is frequently found in Mabuse's work. He was also a remarkably fine painter of the nude. The treatment of the musculature may not be to modern taste, but it was undoubtedly inspired by classical sculpture. The handling of the hair, especially Eve's long tresses, which may have influenced Milton, was a speciality of the artist. Supplementing the narrative of The Fall as recounted in the second and third chapters of Genesis is a certain amount of symbolism, which is illustrated in Mabuse's work: the two trees represent the Tree of Life and the Tree of Good and Evil, while the plants in the immediate foreground (columbine and sea holly) probably symbolise the contrasting emotions of the fear of God and the lust experienced by Adam and Eve in the Garden of Eden. Adam wears an apron of leaves, but Eve is still technically naked. Mabuse was concerned to paint an epitome of the theme and was therefore disposed to take liberties with the biblical text. This painting was presented by the States-General of Holland to Charles I in 1636. It was sold in 1650 after the death of Charles I, but was recovered at the time of the Restoration. It has been suggested that John Milton, who was appointed Latin Secretary to Cromwell's Council of State in 1649, may have seen the work before it was sold, since the description of Adam and Eve in Paradise Lost (Book 4, lines 300-18) is fairly close. Artist: GOSSAERT, Jan (Mabuse) Painting Title: Adam and Eve , 1501-1550 Painting Style: Flemish , , religious
new21/GOSSAERT, Jan (Mabuse)-735325.jpgPainting ID::  63046
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
1504 Pen drawing with watercolours, 242 x 201 mm The Pierpont Morgan Library, New York D?rer prepared his masterly engraving of Adam and Eve in numerous individual studies. This pen drawing was created immediately before the copper engraving and concentrates entirely on the depiction and three-dimensional structure of the male and female nudes. The body posture of the two figures shown here is already identical down to the last detail with that of the copper engraving.Artist:D?RER, Albrecht Title: Adam and Eve Painted in 1501-1550 , German - - graphics : study
new21/Albrecht Durer-967792.jpgPainting ID::  63661
 

 
 
   
      

All RAFFAELLO Sanzio Oil Paintings
 
 
RAFFAELLO Sanzio Adam and Eve oil painting reproduction


Adam and Eve
1509-11 Fresco, 120 x 105 cm Stanza della Segnatura, Palazzi Pontifici, Vatican This portrayal of the Fall is generally attributed to Raphael. Standing in a distinct contrapposto pose, Eve recalls the figure of Leda in a study by Leonardo da Vinci - Raphael made a drawing of this while he was in Florence.Artist:RAFFAELLO Sanzio Title: Adam and Eve (ceiling panel) Painted in 1501-1550 , Italian - - painting : religious
new21/RAFFAELLO Sanzio-674334.jpgPainting ID::  63804
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
1507(1507) 209 X 81 & 209 X 83 cm cjr
new24/Albrecht Durer-536457.jpgPainting ID::  75451
 

 
 
   
      

All Albrecht Durer Oil Paintings
 
 
Albrecht Durer Adam and Eve oil painting reproduction


Adam and Eve
Français : tableau Dimensions 209 ?? 81 & 209 ?? 83 cm cyf
new24/Albrecht Durer-943894.jpgPainting ID::  77333
 

 
 
   
      

All Lucas Cranach Oil Paintings
 
 
Lucas Cranach Adam and Eve oil painting reproduction


Adam and Eve
1538(1538) Medium Oil on linden Dimensions 49 x 39 cm (19.3 x 15.4 in) cyf
new25/Lucas Cranach-494637.jpgPainting ID::  86079
 

 
 
   
      

All Jan Gossaert Mabuse Oil Paintings

1478-1534 Flemish Jan Gossaert Mabuse Galleries
 
 
Jan Gossaert Mabuse Adam and Eve oil painting reproduction


Adam and Eve
Date c. 1525(1525) Medium Oil on oak panel Dimensions Height: 170 cm (66.9 in). Width: 114 cm (44.9 in). cjr
new25/Jan Gossaert Mabuse-783693.jpgPainting ID::  86254
 

 
 
   
      

All Lucas Cranach the Younger Oil Paintings
 
 
Lucas Cranach the Younger Adam and Eve oil painting reproduction


Adam and Eve
Date after 1537(1537) Medium Oil on linden Dimensions Height: 171 cm (67.3 in). Width: 63 cm (24.8 in). (each) cjr
new25/Lucas Cranach the Younger-577996.jpgPainting ID::  86418
 

 
 
   
      

All Hans holbein the younger Oil Paintings
 
 
Hans holbein the younger Adam and Eve oil painting reproduction


Adam and Eve
1517(1517) Medium Oil on paper mounted on wood cyf
new25/Hans holbein the younger-565976.jpgPainting ID::  87785
 

 
 
   
      

All Hans Thoma Oil Paintings
 
 
Hans Thoma Adam and Eve oil painting reproduction


Adam and Eve
1897(1897) Medium English: Oil on Canvas cjr
new25/Hans Thoma-566643.jpgPainting ID::  88512
 

 
 
   
      

All Jacob Jordaens Oil Paintings
 
 
Jacob Jordaens Adam and Eve oil painting reproduction


Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm (44.3 x 60.6 in) cyf
new25/Jacob Jordaens-795895.jpgPainting ID::  90705
 

 
 
   
      

All Jacob Jordaens Oil Paintings
 
 
Jacob Jordaens Adam and Eve oil painting reproduction


Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm cyf
new26/Jacob Jordaens-653649.jpgPainting ID::  98047
 

 
 
   
      
Jacob Jordaens
  
Flemish Baroque Era Painter, 1593-1678 Jacob Jordeans was born on May 19, 1593, the first of eleven children, to the wealthy linen merchant Jacob Jordaens Sr. and Barbara van Wolschaten in Antwerp. Little is known about Jordaens's early education. It can be assumed that he received the advantages of the education usually provided for children of his social class. This assumption is supported by his clear handwriting, his competence in French and in his knowledge of mythology. Jordaens familiarity with biblical subjects is evident in his many religious paintings, and his personal interaction with the Bible was strengthened by his later conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. After eight years of training with Van Noort, he enrolled in the Guild of St. Luke as a "waterscilder", or watercolor artist. This medium was often used for preparing tapestry cartoons in the seventeenth century. although examples of his earliest watercolor works are no longer extant. In the same year as his entry into the guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. In 1618, Jordaens bought a house in Hoogstraat (the area in Antwerp that he grew up in). He would then later buy the adjoining house to expand his household and workspace in 1639, mimicking Rubens's house built two decades earlier. He lived and worked here until his death in 1678. Jordaens never made the traditional trip to Italy to study classical and Renaissance art. Despite this, he made many efforts to study prints or works of Italian masters available in northern Europe. For example, Jordaens is known to have studied Titian, Veronese, Caravaggio, and Bassano, either through prints, copies or originals (such as Caravaggio's Madonna of the Rosary). His work, however, betrays local traditions, especially the genre traditions of Pieter Bruegel the Elder, in honestly depicting Flemish life with authenticity and showing common people in the act of celebratory expressions of life. His commissions frequently came from wealthy local Flemish patrons and clergy, although later in his career he worked for courts and governments across Europe. Besides a large output of monumental oil paintings he was a prolific tapestry designer, a career that reflects his early training as a "watercolor" painter. Jordaens' importance can also be seen by his number of pupils; the Guild of St. Luke records fifteen official pupils from 1621 to 1667, but six others were recorded as pupils in court documents and not the Guild records, so it is probable that he had more students than officially recorded. Among them were his cousin and his son Jacob. Like Rubens and other artists at that time, Jordaens' studio relied on his assistants and pupils in the production of his paintings. Not many of these pupils went on to fame themselves,however a position in Jordaens's studio was highly desirable for young artists from across Europe.
Adam and Eve
1640s Medium oil on canvas Dimensions 112.5 x 154 cm cyf

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